Posts Tagged ‘BODYCOMBAT REVIEW’
I know I’ve been so slack with my posting. It’s this crazy time of year when everyone’s running around madly finishing up for the year – myself included! I’ve been teaching 12-14 classes per week, and that’s on top of the 45 hours I spent per week at my day job, plus Xmas functions, BBQs, it’s madness! I do apologise and rest assured I’ll kick the blog back into full swing come the new year – I’ve got a lot of posts to write just need to make the time to do it!
Since almost everywhere in the world has launched BC46 I’m writing this more as a discussion piece as opposed to a review of what you can expect (since you’ve all seen it pretty much!) and will make it short and sweet. Much like the last few releases this one has been getting a really mixed review – I’ve read on various forums people’s reactions and they vary from “dreadful” to “amazing!”. My thoughts are that it’s an “okay” release. To be honest, there’s only one track I really dislike – but, by the same token there’s actually not a track I really *love* either. For the most part in recent releases there’s always been one track that just stands out (BC45: Because the Night, BC44: Your Shining, BC43: Black Pearl etc) but in this release there’s not a track that blows me away… there’s no real “peak” per se. The release is also a wee bit unbalanced in that (with the exception of the warm up) the first half of the class the tracks are fairly short, and in the second half the tracks are long! Not too much of an issue but worth bearing in mind when you start mixing if you’re an instructor. Brief review of each track follows:
1: Teenage Dirthouse (Topmodelz Radio Edit) – Patrick McFly / Black Betty – Masia
Well I hate to start a review on a low point, but I mentioned there’s one track in the release I really dislike and this is it. This warmup is a mess. It’s too long, it’s unbalanced (over 6 minutes upper body and 3 minutes lower?) and the timing is all over the show. This is probably the worst warmup in the last 20 releases, even worse than Numa numa (which was silly but at least bearable). The lower body warmup music (Black Betty) is just horrid! It’s three minutes of screaming as far as I’m concerned. The upper body warmup is better, but still too long. It could’ve done without the third section of music (I do realise this would’ve meant only one set of shuffle/jab/cross/jabs on the left but we’d have survived) – and the way the track speeds up is just awkward. I had members begging (not just asking but literally BEGGING) me not to do this track in only the second week after the release. Pardon my language but this track went down like a cup of cold sick. Thankfully the release only gets better…
2: Shut Up & Kiss Me – Spacegliderz
Yep good track 2. Not amazingly uplifting but light and fun and a pleasure to teach. I often change the lyrics and sing “shuddup and kick ’em!” just to make it a little more combatty. The hook/upper/hook sequence is a tad awkward, to me it feels like it should be a jab/cross/jab but as we had that combo in the track 2 in the previous release I can see why they didn’t use it. As with most of this release I don’t love it but do like this track.
3: Truly, Madly, Deeply (S&B Remix) – Cascada
Again, it’s okay – this track just doesn’t go off. I guess “Because the Night” set the bar pretty high. Not really sure why D&R pulled this one out of the archives, it’s been in a few other LM programmes and is pretty old. It’s also fairly short and comparatively easy. I’ve not used this track since mixing and it’s unlikely I’ll pull it out too often.
4: Kalinka (Russian Hit Mix) – Captain Jack / Kalinka – Za No Za
Wow, this one’s a little odd! Gets a few smiles due to its uniqueness! This track has grown on me – when I first heard it I was “WTF!!” but now I don’t mind it. Not that hard, and not that long! You can really have some fun with it – reasonably solid track 4. Will probably use again in the future.
5: Contagious – Boys Like Girls
I’m actually going to write a whole post about track 5s as I think maybe they’re a little lost as to what to do with them. They kinda seem all over the show. I was talking to a friend about this release at the GFX before I’d actually seen it and his comment was along the lines of “another shitty track 5”, which brings up a point – if you look back at the last few “Proud Mary, Ignorance, Without a Fight, Ballroom Blitz…” – they’re not great (and that’s probably being quite generous). To be fair I way prefer this track over those by a long shot as the music is a little more uplifting – but I do think something needs to be done to change the format. Perhaps they should be more of a power training track like 3 and 8 musically wise – but involving a little more lower body (shuffling etc). I don’t know – all I do know is that the recent track 5s have been a lowpoint in the release for me – and unfortunately having seen BODYCOMBAT 47 it’s more of the same. Do you agree/disagree? Let me know below.
6: Spitfire – GhostHunter
OUCH. Killer track. Evasive side kicks, esquivas and lunges. My legs are throbbing just thinking about this track! I’m not a big fan of the music but the pain is so God damn intense that I completely forget about it! T’is good 🙂
7: Braveheart 2006 – Frantic & Gammer
This track has had mixed reviews. I actually don’t mind it – it’s a little repetitive and the timing’s a bit tricky but I overall I quite like it – but some of my super hardcore regulars really don’t! Speaking to them they thought it was too fast and too long (perhaps that’s due to it being so repetitious as Excalibur is longer and they love that one). This track will have you breathing out of your butt though – so many many knees!
8: I Surrender (Hixxy Hardcore Remix) – Cadence
Yeah good as well. Again, much like track 6, and 7, this track is quite repetitious. Hooks, hooks and more hooks. It’s not quite as long as Your Shining technically (7:53 vs 8:05), BUT, the ‘run around the room’ piece of music at the end of this track feels shorter so I think they’re about the same length. Again, this track doesn’t quite peak like some of our other T8s. Haven’t taught it since mixing it out after week 3 but it’ll be back for sure (which is the mark of a good track if you ask me).
9: Take It Off – Ke$ha
All abs and no alligator!! Yee haa! Not the hardest ab track in the world but all good.
10: Wait Till You See My Smile – Alicia Keys
Nice finish to the workout. Gentle song and chorey matches well, brings the heartrate back down beautifully.
So, let me know your thoughts! I know no doubt some of you will love this release (I’ve seen your comments on facebook haha!) but all I can do is call it how I see it. Apart from the warmup; which I admit *really* dislike – I usually learn the basics of a combat track in about an hour – the lower body track took me half a day to learn alone just because I found it so hard to even listen to the music! – but, apart from that it is an okay release. It just didn’t “go off” and didn’t have a massive peak like most releases do (and BC47 definitely has! Track 4 ROCKED so look forward to that!)
As always love to hear your thoughts.
Bit behind the 8 ball here as most countries have released this now but for tradition’s sake I’ll write a fairly brief review below. Once again, as always, this is just my personal opinion, and of course you may completely disagree (do tell me if that’s the case!).
To be honest, after I did this release at the filming (around 4 or 5 months ago) I wasn’t impressed and thought I’d be absolutely ‘bollocking’ it (which I absolutely hate doing)… however, my opinion’s changed. It’s very decent (if you don’t love it at first do give it time – it’s one of those “grow on you releases”). Here’s a short blow by blow review of each track:
1. No Easy Way Out (Radio Edit) – DJ Fait / Are You Gonna Go My Way (Ti-Mo Remix Edit) – Kato feat. Ian Dawn
Well I’d have to say musically this is probably my favourite warmup ever – great touch having the theme song from Rocky IV as an upper body warm-up, and, great remix too. Lower body works as well, nice driving beat. My only negative comment is that the track itself is possibly too long. I’m sure the Programme Directors could’ve created the chorey such that is wasn’t necessary to have that last third of the lower body track (side kick sets and side kicks part). I mean to we really have to have back kicks in the warmup? Surely the chorey could’ve incorporated side kicks instead and not have the last additional bit. Back kicks only feature again in track 6 which is so slow there’s plenty of time to cue them. But, that’s just a wee niggle – otherwise great track with a couple of surprises. 8.5/10 (would be 9 if just a minute or 2 shorter in length)
2. Back To Innocence – Stephanie Smith
Grown on me quite a lot this one. Wasn’t a fan at all to begin, and although it’s not a track that I feel will go down in time as a classic it’s fairly catchy and a good length; we’ve had some crazy long track 2s (I was made for Loving You/United Vibe) and crazy short (Love Drunk/Beat It). Was one of the first tracks to get mixed out – but will bring it back at some stage (unlike say Energy from BC44 which is unlikely to ever see the light of day again unless specifically requested). 6/10
3. Because The Night (Breeze & Unknown Remix) – Cascada
Despite being used in BC38 this song has gone down fabulously. Highlight of the release for me. Builds perfectly, pulls back just long enough in the shuffle/double jab portion before slamming into the peak at the end of each half. The jab/cross slip/slip combo is awesome – albeit does take a few sets for the members to time correctly – once they do it’s all smiles. Love it – absolutely love it. 9/10
4. Take A Look Around – Badlands Inc
Much like track 2 this track has grown on me. Really important you stay low in the lunges to get a great workout or the heartrate will drop too much. In my classes because the evasive side kicks just come from no where I’ve found they really need to be precued early and clearly (step left kick right works). I did find this one of the tougher tracks to learn as the chorey is uneven – but yes, members like it and will come back in future mixes. 6/10
5. Proud Mary – Dr John Henry
Low point of the release unfortunately. Obviously this is just my opinion but the cheesy song, dreadful cover, and odd repetitive chorey make for a long, long, long 5 minutes. Gets a few smiles first couple of times you teach it as it’s so silly and uncombat like, but once the novelty has worn off it’s just a bore. I understand why this track was in BODYATTACK 70 – being a celebration release and the track having a 70’s feel to it – but why put it in combat in the same quarter?? I mean I can understand when current hits are in multiple programmes, as they are “current” – but a track from 40 years ago? It’s like Lisa O put it in attack and D&R went – “good idea – we’ll do that too!”. Anyway, clearly I’m not a fan; 2/10
6. Russian Roulette (Blunatix Meets B-tastic Remix Edit) – Felix DJ
First time I did this track at the filming I LOVED it. It blew me away – I thought the music was beautiful and Rach presented it so well. However – after doing it a few times yes, whilst lovely it’s just too darn slow. Loads and loads of blocks, and while if you concentrate on staying really low in your stance you’ll get a decent leg burn it’s too long a recovery heartrate wise. Even if you really power into every block and kick it’s still a big drop for the heart. But, nice track – you can pull back and say very little when teaching and almost just use your eyes to cue the movements which is always nice as a contrast… but, yeah, too slow and a bit long for my liking. 6/10
7. Goin’ Out Swingin’ – Turbo
Other low point of the release for me. Hideous cover of a non-hit by Mötley Crüe. I guess if you’re a Crüe fan you may love it (I was in my teens – not so much now) but it’s not a great track. Kinda cringe worthy really. To be fair I wasn’t a fan of Kickstart My Heart either (another Crüe cover in muay thai just 2 releases earlier), but the chorey in this one is better IMO. Sorry, not for me. 3/10
8. See The Light (Styles & Breeze Mix) – Paradise
Great finish. Musically really good – the power hook is an unusual addition and to be honest not sure if it’ll stay around (might go the way of the “sweep”) – however lovely end to the cardio part of the class. Well used track (attack and pump before) but still works here. The tracks 8s in the last few releases have just been simply AWESOME, Overload, Your Shining… superb. D&R if you do read this keep it up. Love it. 8.5/10
9. I Can Transform Ya – Chris Brown featuring Lil Wayne & Swizz Beatz
Two words; Alligator pressup. Yep, I think we all know my opinion on this move. To be fair the adaptation of it in 45 is much better than the way we did it in 44 – but, still would prefer something a little less “clever” (especially in a 57 minute release – not too much time to cue it for newbies to be fair!) 4/10
10. Black Box – Stan Walker
Cooldown is really just down to musical taste so completely personal. Not too much to say here – a little too much kata in this track for me – musically nice finish – just would prefer the last minute or so that we’re doing soft katas to be used for stretches personally. But yeah, nice finish 7/10
Overall as I mentioned this release grew on me over the 2 weeks I did it solidly (teaching it 4 or 5 times per week). It’s not the hardest release in the world, the muay thai (where according to my HRM my heartrate usually peaks at up to 180 beats per minute) isn’t that tough and is pretty short – and track 4 and 6 does see your heartrate drop so cardio wise this isn’t a release that will have you absolutely gasping for air. My only other comment is that it’s over 57 minutes long – if you’re not an instructor that usually follows the “push play and go” philosophy you will now! However, it’s got a couple of outstanding tracks in it and, most importantly the Members have reacted to this release really positively and that’s all that matters!
Because I was overseas for the last filming at the GFX in just over a month I get to see both BODYCOMBAT 46 & BODYCOMBAT 47 at the same time! I’ll keep you posted on those for sure. Again sorry for the delay in writing this guys and as always love to hear your thoughts!
Okay, time for me to come clean here. This is probably the hardest review I’ve had to write, and I’ve now written full reviews on BODYCOMBAT releases all the way back to BC37. Truth is, I’ve put off writing this for a couple weeks… and the reason for that quite simply is I’m not really sure some of you are going to like or agree with what I have to say. Which of course is perfectly fine – if you disagree absolutely tell me! I just would prefer to write reviews that are completely glowing and are full of sunshine, flowers and skipping merrily in fresh meadows 🙂
The thing is, I know a lot of people appreciate the fact I tend to call a spade a spade, and whilst I was tempted to sugar coat this review a little, I’m just going to step out on a limb and call it as I see it. I know I could be in the minority here, and reading feedback on BODYCOMBAT 44 on the Les Mills forums I may well be. But, I’ve had a few messages on facebook from a few of you asking my opinion, and I’m sure no ones going to respect me for being nice just for the sake of it.
I mentioned in my filming post on BC44 that I hoped the release would grow on me. Some releases definitely do take time, I always think of BC39, I didn’t think that much of it at the filming and now I absolutely love it (Come With Me, Hardcore Angel, Cry For You and I Won’t Be Crying are some of my most played tracks ever!) So, I really wanted to give 44 a chance. And I have, I released over three weeks ago, I’ve taught the release in full over a dozen times now at multiple gyms all over the city (in fact of the five Les Mills franchised gyms in town I was invited to release at four of them). So yes, I’ve definitely given this release plenty of time to grow on me.
So, has it grown on me? Well for me the easiest determinant as to whether I love a release is how quickly I mix it out. Here we’re given the guidelines of 2-4 weeks after launch before we start mixing. BODYPUMP 74 for example, three weeks after release and I’ve still not mixed out a single track. In fact, in my last pump class I started by asking the class if they wanted to do it again or for me to pull out some older tracks and the answer was a resounding yes, they wanted to do the new release again. I was thrilled about that as I did too!
Looking back at my last review (43) I wrote “Let me put it this way – tonight is the first night I’m going to start mixing and the only cardio tracks I plan to mix out are 5 and 7. That’s saying A LOT! To my mind those are the weakest tracks of the release – the rest are stunning!” – yes I used the word “stunning” to describe a combat release! That was BC43 however, and that is definitely not a word I would use to describe BC44.
So, enough dilly dallying about with a long winded intro; What’s the deal with 44. Okay, truth is I found this release disappointing. Don’t get me wrong, there are a couple of parts of it I love, but, look at what I wrote about BC43 above – after 3 weeks I only planned to mix out two tracks. With BC44 after the two week mandatory period was up 4 tracks went immediately, and pretty soon after that 8 were gone (by request). In fact, for the first ever time in my almost 3 years of teaching combat I actually had a member come up to me in release week and ask how long we “had” to do the release for. To my mind that really just solidifies the fact that BC44 just doesn’t have the “wow factor” of previous releases. And please don’t think my members are feeling that way because I’m not trying to sell the release. I give every class my absolute all, in fact my good friend Raina came down from Auckland two weeks ago and participated in one of my combat classes. Being a close friend (and also being someone who attends the filming classes in Auckland with me) she knows I’m not really sold on the release – yet came up to me afterwards and said there is no possible way anyone could’ve known I’m not a fan – I really do give it my all.
So, here’s my 2 cents on the release on a track by track basis:
Warmup: Brighter Day (Monday 2 Friday Remix) – Yanou / Use Somebody – Ultrabeat
Warmups are far more music driven for me than any of the other tracks (possibly with the exception of a cooldown) as the choreography is always very basic, and musically I like it. I admit I had my doubts about using a remix of Use Somebody so soon after we had it as a cooldown in BC40, but the versions are so different it’s not a factor at all. I do have a couple of wee comments, but they are very minor. I do prefer warmups without combinations, for example I’d prefer solid upper cuts followed by solid hooks as opposed to combining the two. The reason for this is it’s much simpler to give set up cues when you’re only doing one movement. What I mean by that is if we are only doing uppers I can just say things like “target is under the chin” “elbows in” “drop your shoulder…” etc and it’s obvious what move I am talking about as we’re only doing one. But, if we are doing a combination I have to specifically state “on your upper cut your target is under the chin yada” then cue the hook in the same way “on your hook target is the side of the jaw, rotate your hip, lift your heel etc”. Just means I have to specify specifically what move to which I am referring and makes cueing a touch more complicated than it needs to be on the warmup (hey, I did say it was a minor point!). Same goes for the lower body warmup – the back knee front kick combo just makes cueing a little more difficult than when we have these moves individually. Just means we have to say more, and I’ve always been of the opinion ‘less is more’ when you’re teaching – you need to leave time for what you’ve said to land. But, I’m just being really picky. I do like the warmup so let’s just leave it at that!
Track 2: Energy – Shinedown
Okay, hand in the air I’ll admit I am not a fan of this track at all. Just feels like a mess. I don’t particularly like the “decoy” – even though it’s (apparently) derived from Tae Kwon Do (I have a black belt in TKD and I don’t ever recall this move being a staple in the martial art – but it was a few years ago now). Someone mentioned in a comment on this very blog that when we change the tempo up on the decoys they become too fast to do correctly and they have a point, for a lot of people they kinda turn into switches before the jab. The front kick off the back leg is a nice touch though, and I hope they incorporate that more into future releases, but for me musically and chorey wise this track just doesn’t work. Hopefully many of you disagree.
Track 3: The Time Of Our Lives – Sy & Unknown featuring Lou Lou
Yep, I do like this one. Definitely not as climatic as some of the past power training tracks (it doesn’t build and go off like Send Me an Angel, Poison or Sweetheart as an example) but it is a good track (perhaps those tracks set my expectations too high?). The track seems longer to me than it actually is – perhaps due to the fact it’s five rounds. But yeah, solid track 3 and one you can have a bit of fun with due to the “you and I could fly…” lyrics.
Track 4: Paint It Black 2009 – Masif DJ’s / GIA (Skitz Clubb Mixx) – Despina Vandi
Definitely this is one of the tracks that has grown on me. My only minor gripe is that there’s so much going on in the track that when there’s new people in the class there’s a lot of stuff to cue, and it seems that just as they get the movement right and it changes; moves like the shoot, ginga, jump kick, do take a few goes to get the hang of, would be nice if we did them a little longer before swapping to another. The shoot after the knees feels far more natural than the other way around (as we did in BC43), and the ‘double shoot’ is a bit of a killer on the ol legs. Quick question though, have many of you experienced any lower back discomfort from this track? I’ve had a couple of members mention that to me, and I’ve checked their technique and it’s all good – just wondering if it’s a common occurrence. The shoot is a very crafty way to incorporate lunges into combat, and it feels far more ‘combatty’ doing them this way than the way we did them in say “Don’t Ya Wanna Feel”. Solid track.
Track 5: Ignorance – ToneTonic
LM cover of the Paramore track. Nope, not a fan here either. This track is just all over the show. Chorey feels uneven, and I’m just not a big fan of loads of running in combat (ironically I love the running in BODYATTACK, I just feel attack has a much more natural fit). But we better get used to it as there’s loads of running in the track 5 in BODYCOMBAT 45 as well. Track fives in recent releases are always the weak point of the class for me and again this is no exception (and again that’s the case in BC45 too sadly). Perhaps if I was a Twilight fan I’d feel differently? This track again just feels like a bit of a mess to me. Notice the sound effects are back though??
Track 6: ìNessun Dormaî – Lacrima
Interesting one this one. I don’t dislike it, and I don’t love it. I think perhaps D&R are starting to maybe try to be a little too clever here. Track 6 in BC43 was a great track, almost every one just LOVED it immediately and raved and raved about it; maybe they felt they had to outdo themselves with something equally as clever? Hmmm… Opera in combat, still not sure about it personally. However, the classes aren’t about me and the peeps seem to love it! Though, in my last combat class I gave them the option of doing it again or doing another one and “pirate track” was the resounding response. It’s definitely a recovery track, you’ll find your heartrate drops considerably. Also, is it just me or is there a lot of lateral shuffling in this release? (warmup, track 2, and track 6).
Track 7: Metal Kombat For The Mortal Man – ColorBox
I feel like a bit of a broken record here but again this track hasn’t blown me away. Again, I don’t hate it, but I definitely don’t love it and I do feel that something REALLY special could’ve been done with a Mortal Kombat theme and this missed the boat a little bit. I think the problem is that the track doesn’t really “peak” like my favourite muay thai tracks (Hardcore Angel, So What!, Raver’s Paradise, Let the Beat Control Your Body.. I could go on and on). Just falls a little flat for me. It’s just missing a part that you can really sink your teeth into a just “go off” to. Again like track 5 did you notice the added sound effects? We might be slowly going back to the days of Natha and Gabby (ding ding anyone! ;))
Track 8: Your Shining (Hixxy Remix) – Styles & Breeze
Now we’re talking! Peak of the class, absolutely 100%. I loved this track at the filming, and I still love it now. It’s loooong (longest track 8 ever in fact) but that’s all good as it rocks! Builds and builds and is a climatic end to the cardio part of the class. Not to mention the first few times you launch it – the looks on peoples faces when they realise the track isn’t over… priceless! Love the track and love the chorey. Love it so much in fact that I’m willing to let the grammatical error in the track title slip by 😉 Seriously awesome, and really in my mind the one track that absolutely saves this release from being very average.
Track 9: Put Your Hands On Me – Crookers feat Kardinal Offishall & Carla-Marie
I have a personal theory about the inclusion of Brazilian Jiu-Jitsu in combat that stemmed from a little thing Dan said along the lines of “we wanted to put it somewhere and this felt like the best place” – it kinda seems to me that they are doing BJJ classes, and need to justify that by including it (somewhere) in combat. As it’s a ground fighting style it really can’t go anywhere but here. Does it work? No. To be blunt it’s a fricken nightmare. My combat classes are pretty much packed and there’s just no room in the GF room for the “walking komodo dragon with an alligator pushup” – never mind the fact that there’s also not much room to do it on the stage! Here’s the other thing, if you watch the DVD the intro for this track is 3 minutes long. The track itself is 3 minutes long – so we’re spending as much time introducing a move as we are doing it? (well, actually considerably more in reality considering the komodo dragon/alligator pushup is only done for 2 sets of 4!). It’s overly complicated, requires too much space, requires too much of an introduction, and to be honest isn’t even that much of a workout. I’m sorry to be overly harsh here but I really think this track crashed and burnt. When I started mixing for the first time, and announced “no komodo dragon today” the class actually cheered! (I’m not kidding!) Unfortunately, we might have to get used to that move as I can’t see it going anywhere anytime soon…
Track 10: Doesn’t Mean Anything – Alicia Keys
Not too much to say about a cooldown, but like the music, nice song to bring your heartrate down, not too much kata, good cooldown… still using it now in fact.
So, I’d really like your feedback here. I’ve spoken to other instructors locally and they feel pretty much the same about this release… but what do you think? Am I being a bit hard on it? I know there’s always going to be absolute combat lovers who love anything and everything that’s put out – and yes, perhaps I am getting a bit cynical in my old age. In short I just feel this release whilst is okay, really only had one track that blew me away (t8). Reading my review of BC43 I used words to describe different tracks like “stunning!, EPIC!, Love it!, FANTASTIC!, and Awesome!” – in my review of BC42 I used words like “Great track, Love this one! etc.”, BC41 “Officially my new favourite track 2!, Awesome finish…” but in BC44 my adjectives are far more toned back because the release for me just doesn’t “rock” like any of the more recent ones. In fact looking back I can’t think of any releases I prefer less until we get back to the early 30s. But, I’m only one person and this is only one opinion.
As always would love to hear your thoughts (if you disagree seriously put me in my place here…) 😀
Again, better late than never here’s my review of BODYCOMBAT 43. I normally try to get the review out soon after our release, had a lot on in the last few weeks so bit slow off the mark this quarter! I’ve now taught it 12 times in 2 weeks at 4 different gyms so know it pretty well! All up BODYCOMBAT 43 is a fantastic release – Let me put it this way – tonight is the first night I’m going to start mixing and the only cardio tracks I plan to mix out are 5 and 7. That’s saying A LOT! To my mind those are the weakest tracks of the release – the rest are stunning! Read on for a track by track break down and as per usual would love your thoughts!
Well what can you say about a warm up – really it’s mostly dependant on the music and length. I loved the warm up from BC42, and the 43 warm up is okay… there’s a couple of things that I like quite a lot; The push kicks on the “push it baby push it baby” to match the lyrics are a nice touch (we’ve not had push kicks in the warm up before – [okay – apparently my brain farted here!!] but it’s good they are here as they’re in track 4 and track 7 in this release so having them in the w/u gives plenty of opportunity to correctly cue them) BUT, by the same token it would have been nice to have roundhouse set-ups on the “just set me up” lyrics to match them also – there’s 6 round houses there so maybe the first 2 could’ve been roundhouse set-ups to fit with the music (or maybe 6 round house sets then 4 round house kicks rather than 9 side kicks that immediately follow)
The upper body warm up is okay too (though I do prefer the lower body musically). Something personally that I think D&R would be wise to take on board is trying to utilise moves that are in the release within the warm up itself. The push kicks above are a great example of this; as I said they’re in 2 tracks in this release so great they are in the warm up where we use nothing but initial and follow up cues and have a tonne of time to teach them well. So following that theme the backfists in the warmup could’ve been replaced by another move as there’s no backfists in this release apart from here. Maybe the stiff jab could’ve worked??
Finally – and this is just a little thing, I really prefer warmups where the music starts softly and builds. Again 42 was a great example of this – “Numb” started with that nice calm piano melody (The One and Only from 39 and Writing on the Wall from 38 also built gradually and work perfectly in this way too). The warmup in 43 just suddenly screams in with a super high pitched “WE ALL NEED LOVE!!!” which can be a bit of a shock to the participants. As an instructor you begin by intro-ing yourself, then intro the class itself – then hit play… when the warmup just screams in at max volume as 43 does I find I have to turn the warm up down then creep it up in track 2. Didn’t have to do that in 42… again – really minor thing and personal preference but worth mentioning all the same.
So, in short; solid warm up. Not my favourite, but not too long (like BC41!) – 7 minutes is perfect in my mind, and chorey and musically it does the trick!
02. Love Drunk – Boys Like Girls
Again, solid track 2. Like the music (a lot actually!) – a fun track which structurally reminds me a lot of Beat It from 37 – the initial combo builds with 3 moves, then adds two more then adds a roundhouse exactly like Beat It, repeats on left – shuffles side to side (albeit this track has side kicks instead of double knees but I’m sure you know what I mean here!) then finishes with full combo on each side (coincidentally Beat It and Love Drunk are almost exactly the same length too). Loads of time to have fun with the lyrics – I always get the class yelling “OKAY!” and kiaing on the roundhouse in the final combos. I also use Judy’s ‘rollercoaster’ line as I think it’s really clever “heart rate goes up, down, and around with 2 hooks”. I presenting this track at the Advanced Instructor Module so will always have a fond place in my heart I’d imagine! Great track 2 and will stand the test of time in my opinion!
03. Send Me An Angel (Weaver Remix) – Slinkee Minx
Awesome track 3. Love it! One of the 3 stand out tracks of this release. Powerful music (well about as powerful as dance music can get!) and I love the contrast between speed and power – you can really launch into those power jab/crosses. Combos built perfectly – tonnes of time to cue the difference between the speed and power changes in the speedball intro – hooks perfectly fit the music when the intensity drops – first two full combos are to calmer music so you can teach them correctly before screaming into full flight on the second two sets. Final four sets you can just unleash the class… Only word for it is AWESOME!
04. Fight For Your Right (DJ Anady vs Sander Remix) – Boogie Bros
This track has REALLY grown on me along with the “shoot” (which is a good thing as without saying too much we may have to get used to this move! 😉 ) BC43 is only 53 minutes long which is probably a good thing as it gives you time to coach this move, and coach the sword combo before track 6 and still fit in a 55 minute class slot. If you teach the shoot correctly this definitely is no recovery track (I usually tell the class there’s 3 cardio peaks so they need to really slam themselves in tracks 3, 5 and 7/8 – however in this release that’s really not the case!) – ensure everyone stays low on the shoot’s ‘pull back’ and they will be gasping for air by the end of this track that’s for sure! Again, musically I didn’t like this track too much the first couple times I did it but again it’s grown on me (<– there’s that term again!) a lot!
05. Without A Fight – Mindwarp
Weakest track of the release (by a mile). I don’t know about you guys but for me, track 5 is pretty much always the ‘low point’ of the class in recent releases. I like “The Anthem” from BC42 actually, but looking back Tutti Frutti, Johnny B Goode, Ballroom Blitz, The Best Damn Thing (ick!), Don’t Ya Wanna Feel – all the weakest tracks of the release. And it’s a shame, as we do have lower intensity tracks either side of track 5 and it would be awesome if this was the power peak it could be (am I alone in my feelings here or do others agree?). Theme for this track is a lot of running – A LOT of running (I’ve joked before that I feel like I’m in a BODYATTACK class during this track!) Apart from the running we have a combo build of 4 body rips, upper – cross and that’s it! (oh, did I mention the running??! 😉 ) I’m mixing this track out today and not sure when we’ll see it back.
06. Black Pearl (Dave Darrell Radio Edit) – Scotty
Well, in post I wrote after the filming of this release I used the word E-P-I-C to describe this track… no better way to describe it. This track is FANTASTIC! Everyone loves it without exception. The music, the moves – seriously gives me goosebumps every time! Timing on the first set of double uppers took a bit to nail (okay – I admit I still sometimes bring them in early!). There have been sword moves in previous releases (the original Excalibur is the most well known example) and to be honest I hate(d) doing them. Just felt cheesy and silly – but in this track not the case at all. Love it. Highlight of the release… if you’ve not done it prepare to be blown away! Only other comment I have is that because the chorey is so simple I truly hope we don’t get sick of this track prematurely. As I said I’ve taught this release a tonne of times over the last two weeks and not sick of it yet – but with this track literally being 24 sets of the same combo (with 2 sets of 16 back kicks to break it up) I hope it doesn’t grow old too quickly…. Otherwise awesome awesome awesome!
07. Kick Start My Heart – The Snake
Well, no release is perfect and this is the other weak point in the class for me. I’m going to be writing another post about Les Mills cover tracks shortly (as from the next quarter it looks like we’re all going 100% non-PPCA licensed music which means a tonne more covers – read here for more info in the meantime) – and this track is a cover of the original Motley Crue track and- well, as covers go, it’s not the best. Which is a shame as we had the original in BC22!
Chorey is okay – the stiff jab is kinda cool and is executed properly will definitely give you a great workout… but, the music really dampens my enthusiasm for the track. The muay thai is normally my favourite track of the class and the track where my heart rate peaks (normally pushing 180+ beats per minute) but it’s quite hard to reach that level of intensity in this one I’ve found. Personally give me Hardcore Angel, Let the Beat Control your body, Party non-stop, Excalibur 2000, Ravers Paradise etc any day of the week.
08. Overload – VooDoo & Sereno
Well I mentioned earlier there are 3 stand out tracks in this release and this is the third. FANTASTIC track 8 and a climatic end to the cardio part of the class. Chorey is a bit tricky to get at first – six sets of the combo in some places – 4 in others – but not too hard to learn. The 128 jabs comes in as a surprise the first couple times you teach it and the look on the participants faces is priceless. It may be a blessing in disguise that the muay thai isn’t completely taxing as this track will certainly polish you off! Quite a long track 8 – close to 7 minutes (only 3 seconds shorter than the longest track 8 ever Cry For You) however a good 50+ seconds of it is the running around the room portion so it does feel shorter than Cry For You (not sure why the run around the room part is so long – normally it’s only around 30 seconds and I have found myself hitting the forward button a couple of times early as everyone’s ready to rip into the conditioning and the music’s still going!) Superb end to the class!
09. Do It Again – Cassie Davies
Won’t write too much about the conditioning or cooldown; Short sharp conditioning track! The tripod pressup is a great workout all around as you bring in a whole host of stabilising muscles when you lift the arm. Not too much else to say – not the hardest conditioning track in the world but a great workout all the same.
10. Sounds Of Freedom – Within Temptation
Quite a long cooldown with pretty much only 4 stretches (per side) in this entire 5 minute track. This means we’re holding each stretch for a good 30-40 seconds which is much longer than we usually hold them for. Whilst I love the idea of holding the stretches longer (I’ve often thought we don’t quite hold them long enough to get maximum benefit in either combat or pump) the music is a bit too sombre for me to really love this cooldown. I don’t think cooldowns should be uplifting (it is a cooldown after all) but this tracks a little on the dark side for me personally. Other than that the longer stretches are cool – not sure why we come from lying down in track 9, to sitting back up for 30-40 seconds only to lie down again (that time could be an additional lying gluteal stretch for example) but the cooldown works. Music is personal preference and I’m sure there’s many that love this track. Decent enough end to the workout.
Over all BC43 is an awesome release. Enough innovation to be interesting, three absolute stand out tracks and two more that are really great too. And, just a little thing but unlike some of the recent releases we don’t have any of the super long or super short tracks in this release – they all pretty much fall into a 4-6 minute timeframe which makes mixing easier (as opposed to the 2 minute or conversely 8-10 minute tracks we’ve had in other recent releases).
As always, if you have done it I’d love to hear whether you agree or disagree with my views, and if you haven’t then get really excited and prepare to be blown away! 😀
Well better late than never – here’s my review of BODYCOMBAT 42. Have a read and definitely let me know your thoughts!
01. Numb (RainDropz! Mix) – Jan Wayne vs RainDropz! / I Do Not Hook Up – Kelly Clarkson
Well – I really like this warm up. It’s just the right length (especially compared to the warm up from BC41 which had Dragostea Din Tei played through twice – I mean that was just too much numa numa!) and I love the upper body remix of Numb. Kelly Clarkson for the lower body warm up for two releases in a row – yeah, possibly could have made a better choice here, especially as it’s the squat track in BODYPUMP 72 – for those of us that teach or do pump as well (and there’s a lot of us) have pretty much more than got the message that she does not hook up. I’ve started mixing in my classes here and I’ve not yet mixed out the warmup as I like it so much – but in pump the squat track was the first track I mixed out for that reason.
I mentioned in the filming post that curiously the only side kicks in this entire release are in the warm up. There’s not a single side kick in any other track… which is a bit of a let down for me as I love them (I’ve done many many years of Tae Kwon Do and Karate and side kicks are a staple in both). Oddly again, there’s zero back kicks in BC42. Yet there were a tonne in BC41 (even a tonne in the warmup in 41!) but there’s not one in 42. Weird huh?! There’s a couple of mindless facts for ya! 😉
02. I Was Made For Loving You – Scooter
My only comment about this track is that it’s a tad too long. I’m not sure if LM can get away with speeding tracks up in their programmes but to my mind this may be a candidate for doing so… or even better perhaps splicing some of the music out (which I’m sure is a big no no). The chorey is just a little too slow. As I said I’ve started mixing in my classes here and this was one of the two tracks I mixed out first. Other than that I like the final combo, double karate punch – backfist – roundhouse.
03. Poison (Al Storm Remix) – Groove Coverage
Great track. Again it’s a long track (in fact it’s literally the longest track 3 ever!) but the movements are fast enough to get away with it. There’s two points in the music here that I absolutely love (well actually four points – but two points each side if that makes sense). The first is directly after the second set of 8 jab-cross/4 hooks combo – the second point which literally gives me goose bumps every single time I hear it is just as the full combo kicks in… love it love it love it!
04. Use Me – Hiroshi Free
This is a Les Mills cover version (a good one too – very true to the original) so yes we have sound effects back! (brings back memories from the combat early days for some I’m sure!) No they’re not over the top – just a mild swishing noise every time we do the new move in BC42; The Sweep.
Now I’m all for innovation but I kinda feel like this move is innovation for innovation’s sake. It doesn’t challenge the body in the way the last big innovation in combat does (namely the esquiva) and it’s not a hard move to do cardio wise… so personally I’d be quite happy not to see it again. There’s another entirely new move in BC43 as well which originates from mixed martial arts in the same way the sweep does, and to be honest I kinda feel the same way about that too. But, you kinda have to feel for Dan and Rach here because they’re damned if they don’t add innovation – and in some people’s eyes they’re damned if they do.
While on the subject of the sound effect – the swish – on the one hand it’s good as it helps the class with timing but for some strange reason LM included a swish for the instructors to precue the sweep/jab/cross combo to and it’s not in the place I’d normally cue the move. I’d normally cue it a few beats before the sound effect so the move has time to land with the participants before they have to do it themselves – but the music forces me to precue it immediately before the combo. Instructors do you know what I mean here?? Just a little thing but yeah – it does bug me.
So, in terms of the track itself, yep it’s another long one and it’s okay – just not my pick of the release. Again – I’m only mixing two tracks out of BC42 in my classes at the moment and this is the other one.
05. The Anthem – Good Charlotte
Well, tracks 2, 3 and 4 were all amongst the longest respective tracks ever so guess what – to counter it this track is short. Really short! Under 3 minutes even! It’s a split room track which is something we’ve not seen in combat for a few releases and I like it. The music’s uplifting – can’t really comment too much on the chorey as there’s not much of it (hehe) but it works. I’ve written about this before and I’ll say it here again – the only issue with these super short tracks (track 5 in BC42 and BC41 are super short) and conversely the super long tracks (track 3 and track 7 in BC42 are the longest tracks ever) is that we have to be really careful when we start mixing or it’s too easy to go well over (or well under) the prescribed class length. If every track in combat was 6 minutes then we’d not have to think at all – but when some are ten (BC41 track 1) and some are 2 minutes something we have to activate the ol’ brain a little more. All good though!
06. Warrior’s Dance – The Prodigy
One word; ouch. The initial quarter turns in this track are tricky; quarter turn to your left – stepping on your right foot… or for instructors quarter turns to our right stepping on our left! But, once the class has got that nailed the key to making this track work is to make ’em go LOW. I must say the word “lower” about ten times when teaching this… and the looks I get back (pure pain!) are priceless. Don’t worry – I’m hurting too!
The track also has the lunge-front kick combo last seen in No Good from BC38, and a tonne of esquivas (Portuguese for pain! – haha just kidding). The track works – I like it a lot. This is a cardio recovery so the heart rate will drop – but that’s a good thing as you’ll need the recovery for what’s coming….
07. Excalibur 2000 (2000 Radio Mix) – F.C.B.
Well, 8 minutes of muay thai (okay – that’s what we’re told but to be picky it’s actually 7 minutes 42 :P) This is a solid muay thai – for me personally it’s not quite as climatic as some of the others (yes I’m talking about Hardcore Angel again – I’m sorry but I just love that track so so much!) But this would definitely make my top 10 muay thai tracks and could almost scrape into top 5 (maybe not quite but very close). Features the plyo push-push kick combo seen in Enter Sandman from BC41. I’ve noticed a few people (instructors too) having trouble picking up the push kick and for me the easiest way to explain it is to “cycle” the foot away from the chest. The track also has streetbrawler punches, ascending/descending elbows and a tonne of knees… a tonne of knees. And yes – we can show the jump knee as an option here at the end of the track (the jump knee is my all time favourite move) – however – remember it’s just an option!
08. Miracle (SAD Remix) – Cascada
Short and sweet! Shorter than most power 3s but a great song and great chorey (and trust me if you’ve not done this release you’ll be happy it’s shorter after that darn muay thai!). Love the build up into the double uppers and double hooks… and you can just blast the roof off the gym in the final right-left jab combo. Great track.
09. Fire Burning – Sean Kingston
Should be called abs burning due to the triple crunch move that features in it. Sit ups, c-crunches, the hover and of course press ups at the end. Not the hardest conditioning track ever but not the easiest either.
10. Second Chance – Shinedown
Love this cooldown. I love the song and it’s a perfect end to a fantastic release. Bit of kata (I’m not a huge fan of kata in combat as you may know if you’ve read any of my other posts) but not too much to dominate the track which is great. Possibly my favourite combat cooldown ever simply due to the song.
And that’s about it! BC42 is a great release – overall it has some great tracks and not a single track I don’t like (obviously there are a tracks I prefer over others but seriously not a single bad track). Now, let the countdown begin to BODYCOMBAT 43 which trust me has some absolutely EPIC tracks!!
Been a bit slack getting this uploaded – especially since most of you have probably seen or done BC41 by now! So this is long overdue… But nevertheless, for blog completion’s sake I’ll post my thoughts below.
As always be really interested in your feedback on the release 🙂
1a: Dragostea Din Tei (DJ Ross Radio Mix) – O-Zone
The upper body warm up is quite possibly the most controversial track of the release! If you read any of the group fitness forums you may have seen some of the initial reactions to this song being in BODYCOMBAT (here’s a hint – some instructors haven’t been all that impressed…) however, personally I’ve found this track has gone down really well! You can have a lot of fun with it and the members are always smiling and quite often singing along which is always good! One of the first times I did this release after the filming was in Hernan’s class in Auckland. If you know Hernan and what a fun character he is you can imagine how hysterical he was presenting this track… the entire room was having a ball. And although I’m not one tenth the funny man Hernan is I try to do the same. “Numa numa” is a light, fun start to the release so even though I know some people aren’t too happy with its presence in combat you won’t hear any complaints from me.
1b: My Life Would Suck Without You – Kelly Clarkson
Okay, here’s the strange thing about the lower body warmup. We’ve got no sidekicks at all, and a whole heap of back kicks (a whole heap!) This struck me as being really weird at the filming and to be honest I’m still not sure why Dan and Rach didn’t swap out one of the sets of back kicks for some sidekicks. But never mind for what ever reason they chose not to and they’re the boss(es)! That aside again this is another fun track and I’ve seen loads of members singing along to it. If you’re not a Kelly Clarkson fan, well, without saying too much my advice is that you should probably just accept the fact she’s in combat as I think we may be seeing a bit of her in the future 😉
I’ve not formally checked but I’m almost certain that this is the single longest warmup in the history of combat, close to ten minutes long! Having taught this release well over a dozen times now probably my only other comment is it does possibly go on a bit too long.
02: Music Is Pumpin – Radical Rhythm
Officially my new favourite track 2! The last few releases have seen reasonably rocky type track 2s (Cum on feel the noise, Try it again, Born to be wild etc) and Music Is Pumping is a refreshing change. I love the music, and love the chorey. There’s enough time to introduce the “new” kick to BODYCOMBAT here in the first combination (the Push Kick – a modified front kick) which means you don’t have to do too much cueing before track 4 (where it features prominently). I absolutely love the hook roundhouse combination, and the treble elbow knee sequence at the end just goes off! 10 out of 10 from me. Love love love it.
03: Slow & Steady Rush – Random Attack
A dance remix of Faith Hill’s Breathe, Slow & Steady Rush really has no surprises in terms of chorey – the track builds really well into the final combo (double jab, upper) x 2 – 4 hooks where you can really blow the roof off the gym in terms of intensity. Probably not my favourite track 3 but a solid one that will stand the test of time.
4a: Enter Sandman – Spock
Okay, track 4. Here’s where the release gets kinda interesting. We begin with a rather dark track, a cover of Metallica’s hit Enter Sandman. Really powerful Hook/knee combo to start which changes into a jab/cross/upper/roundhouse sequence before going back into the hook/knee combo. We then have the new move to combat – the plyo push. Pretty straight forward, we push our opponent away with a sharp snapping movement, then push kick them to finish the job. Instructors really have to change the delivery of this track, it’s a dark rock/metal track that requires it to be presented in a similar fashion. Certainly a massive change from the light cheerful tone of track 3 that’s for sure!
4b: Boom – P.O.D.
Okay, well unless you’ve been living under a rock you’ll know that yes the evasive side kick is back. It hasn’t been in combat for some time and it without question it is the most controversial move in combat. In my post after the BC41 filming I wrote the following:
“While on the subject of the evasive sidekick I got talking to Dan in the changing room after a BC41 trial run and I mentioned to him it was great to see the e-kick back. He said they were introducing it slowly, and toned it down as in the past some instructors were jumping so high it was unobtainable for an average participant to achieve. As much as I hate to admit it he is right – the jumping evasive side kick as demo’d by Dan himself in Rock Me Amadeus (although it looked AMAZINGLY impressive) was kinda crazy in that he leaped a good 5 feet in the air! In BC41 the e-kick is done with a “hop” as opposed to a jump (if that makes sense) so although I’m sure some instructors will go back into old habits and fly into the air I think the idea is to try to keep the level a little lower. Will be interesting to see how it pans out…”
Well I can tell you how it’s panned out in the gyms I teach at; perfectly fine! I think the key is that if you’re going to introduce the jumping option, introduce it as an option only when appropriate. What do I mean by this? Well for me personally I teach at 3 different gyms; all three have a different membership base. One of the gyms literally had Les Mills group fitness classes brought in a week ago. So, there’s no way in hell I’m going to expect them to even dream of doing a full e-kick for a long time! It’s just not going to happen. However, another gym has a loyal membership base of diehard combaters who love the jump knees and advanced options (and have seen and done the e-kick in previous releases) – so when we launch there on Wednesday quite possibly it would be appropriate to demo it in the later part of the track. I guess my point is some people dislike the e-kick as they feel it was unachievable for members; and if that’s the case stick with the low option. My 2 cents anyway 🙂
My final comment about track 4 is that it’s quite long… 7 minutes! When you combine that with the 10 minute warm up when instructors start mixing we’ll have to be really mindful of track lengths. In BC41 this is offset by a very short track 5 (3 minutes) – however you’d only have to switch out a couple tracks with longer ones before you’d start running into class length issues. Worth bearing in mind anyway.
05: Ballroom Blitz – Dave & The Extras
Well of course the likely hood of anyway loving every track in a given release is incredibly slim (you can’t please all of the people all of the time) and yes, this is one of the ‘don’t likes’ for me personally. I’ll admit it is growing on me but definitely looking forward to mixing it out. As noted above it is only 3 minutes long so it’s over pretty quickly anyway! As I mentioned in my filming post Ballroom Blitz was also in BODYCOMBAT 6 – which means this is the second release in a row in which a track from BC6 has been reused (the last one was Tubthumping in BC40)
06: Let Me Entertain You – Bodytronixx
Not too much to say about this track – very similar in structure to Shut Up and Drive from BC34 but instead of side kick, knee, back kick this time there’s another knee. A Tae Kwon Do based track without a single punch/hook/or upper in the entire thing (I did 7 years of TKD and yes we didn’t use our hands much so it is true to the discipline!) Hasn’t gone down as well as Burn It To The Ground from BC40 but it’s not a bad track and the kick kata is slow enough that it is a recovery.
07: Desolation Row – Krakaw Kreativ Kollektiv
Muay Thai is traditionally my favourite track in the class but unfortunately I did find this track a little lacking. Unlike most muay thais of late this isn’t a techno track but rather a Les Mills cover of the My Chemical Romance track. Loads of jab/crosses and loads of knees and really not much else. Not a bad track, but just lacks the intensity and climax of say Hardcore Angel from BC39 (quite possibly my favourite Muay Thai along with So What! from BC27).
08: What Do You Want From Me (squad-e remix) – Cascada
Awesome finish to the cardio portion of the release. Great song that builds into a powerful hook/jab/cross sequence at the end. Not too much else to say other than YES!
Conditioning/cool down. Won’t spend too much time on these – circular crunches and circular pressups feature in the conditioning, and the cooldown has nice chorey which finishes with the same kata sequence introduced in track 6. Halo whilst not really my cup of tea musically at least is a nice calming track to bring the heart rate down to and seems to be liked by the members.
So, overall a solid release! Any release that has a track that tops my favourite list must be a goody and yes, whilst BC41 has a couple of tracks that I’m not a massive fan of it has more than enough tracks that I really like and one that I absolutely love! At the end of the day the members seem to be loving it and that’s all that counts! Enjoy!
Well it’s that time, I finally feel like I know BODYCOMBAT 40 well enough to write my opinion on it. Apologies for the delay in writing this – I actually went to write it two weeks ago… BUT, I held off a little as like every release it’s definitely grown on me a lot; although I did love the filming (heaps!) my enthusiasm actually waned slightly at first – but now it’s right back up there again (phew!).
Being that this release is the tenth birthday of combat D&R have tried to include a wider range of strikes and blocks – and that’s definitely the case. There’s lower blocks, mid-blocks, outer leg blocks, knife strikes, open palm blocks… the list goes on. This release also features the return of the esquiva, and the jump kick (in the same track even!)
Anyway, here’s a play by play (note this is only my personal opinion – feel free to disagree!)
Upper body warmup: Layla (Caribbean Mix) – DJ U Hey vs DJ Minagawa
Great start to the release. Uplifting track – a dance remix of Eric Clapton’s original track with the backing vocals “put your hands up in the air, put your hands up in the air!”. Unusually the upper body warmup features the outer leg block, and is done entirely in front stance (meaning no left right changes with the jabs/uppers/hooks). Loads of performance opportunities with the air guitar (of course!) – really like this track.
Lower body warmup: Hot n Cold – Katy Perry
As much as I hate to admit it I like this track too! Mega cheesy pop song but again loads of performance opportunities and a chance to have some fun with the entire class. Truth be told I’m just happy we have a release with no Rogue Traders!
Combat 1: I Know Kung Fu – Shitdisco
I couldn’t stand this track when I first did it but it’s really grown on me. Loads of knees and knife strikes, as well as the roundhouse challenge (low kick then high without touching your foot to the ground) – great for the ol’ leg conditioning. If you’ve seen the DVD you’ll see what a great job Hernan does in presenting it. I’ve tried his Bruce Lee impressions “waaaaaaaaaa!!!” and I just can’t pull it off – the class look at me like I’m mental!
Power training 1: Sweetheart (Squad-E Remix) – Rezonance-Q
LOOOOVE this track! Was a real stand out for me right from the start. The chorey and level changes match the music perfectly. The entire track builds into a huge final combo (double upper – speed ball) where you can really drive your “opponent” through the ceiling and hit maximum cardio output. This is one of those tracks that gets a round of applause every time it’s taught. Possibly my favourite track 3 ever!!! Highlight of the release.
4a. Power Of The Mind – Headhunterz
Quite a dark track (similar in feel to We Will Survive from BC37). Super simple chorey (two side kicks, outer knee block, front kick all same leg) and to be honest possibly goes on a tad too long. The timing is a little odd to get off the bat but probably only the first couple times you try it. Really not much more to it! Track 4 actually starts with this track right hand side (RHS), then goes to 4b RHS, then 4b LHS then back to this track LHS.
4b. Tubthumping (Everybody Handz Up In Japan Remix) – Hi End Attack
Tubthumping is back! (well it was in BC6!) This track features both the esquiva and then the jump kick. Basically prepare for pain!! Hammers the legs – especially if you concentrate on really lengthening your esquivas right out and pulsing on each one. Hammers one side before restarting and hammering the other and then going back to track 4a. Again, quite repetitive – and not my favourite track. As a side note for those of you that are big esquiva fans as the esquiva is in track 4 you could actually have two esquiva tracks in the same class if you wanted to! (but seriously are you fricken crazy?!)
Power training 2: Tutti Frutti – Mike Hardy & The KooladeSingers
Hmmm… not sure I’m loving this 50’s revival trend in the last couple combat releases. Structurally very similar to Johnny B. Goode from BC39 – effectively lots of identical rounds of chorey. Loads of performance opportunities with the “ooooo”. I enjoyed this track at the filming but I think it could possibly be one of the first to be subbed out when instructors start mixing. Others may feel differently perhaps?
Combat 3: Burn It To The Ground – Nickelback
Well, track 6 aint a recovery in this release that’s for sure! As per usual we have the back kick – however it’s not the “feature move” of the track as we’ve had in the past. This is another track that’s really grown on me. The combos flow really well and fit the music – I especially like the last hook-knee combo – if you really drive the knee and hip you can burn a monstrous amount of calories with this one.
Muay Thai: Speed – Atari Teenage Riot
In general the muay thai for the me is the climax of the class. It’s where my heart rate peaks and I really go balls to the wall knowing that there’s no kicks in the last cardio track. However this muay thai for me disappoints. The chorey is okay – you can really launch your entire body on the rear descending elbows – but the music. Uggg… I can’t stand it. And it definitely lacks the intensity of the muay thai’s of the past. I haven’t had a chance to wear my heart rate monitor to grab a fair comparison to previous releases but I suspect my heart rate/caloric expenditure doesn’t reach anywhere near that of most other muay thai tracks. HOWEVER… as I pointed out this release doesn’t really have a recovery track – so perhaps this was intentional? That is if we did have a Party non stop or Hardcore paradise type muay thai we may see members keeling over from exhaustion! Guess we’ll find out when we start mixing (he says in his evilest voice!!)
Power training 3: Set you free (Hixxy Remix) – N-trance
LOVE it. Fantastic end to the cardio portion of the release. Every class has wooped and cheered during this track. Work the levels and send your fitness levels sky high. What the muay thai lacked this track makes up for!
Conditioning: Let it Rock – Kevin Rudolf feat. Lil Wayne
Second release in a row we’ve had no crunches – but we do have the plank and the “komodo dragon” (simple move bringing your knee to elbow working the core). First half of the track has loads of pressups – including the challenge portions on your toes. Decent conditioning track and decent song. 🙂
Cooldown: Use Somebody – Kings of Leon
Love the music and love the chorey. Nice simple soft kata that doesn’t require much thought or co-ordination for participants (unlike the kata from 39 which did take some a couple classes to get right). Beautiful end to the release.
So… all and all a solid release and one that rates a solid 8 out of 10 in my books. To my mind not quite a BC38 in terms of fun but a decent length (56 minutes I believe off the top of my head) and given there’s no real recovery tracks you’ll definitely get a decent workout! I’ll post some pics from our big local release later in the week – it’ll be a blast! If you haven’t done it yet then it’s certainly something to be excited about. Enjoy!